Lead with sound, follow with color II

As I edit NAKED, my 2017 short film, based on my book Consanguinity Disruptus, I get a sense that sound is still my guide. I tell a musician friend about this and he relates to the antithetical (for me) approach to the life of the footage. I’m exploring the rhythm of the project through the aural universe even more deeply that is ascribing itself to the theme, sexual taboo. The sound friend is in Kurdistan. He’s completely jet-lagged and making more sense than me in my desert cocoon as he points to the correlation between alterity and my interrupted process … Continue reading Lead with sound, follow with color II

Cinema-scaping: aural and visual interplay with Limits

I’m taking a rather backward approach to the edits for the short film. I’m scheduled to screen the first week of August so I’m staying on track. Yesterday and the day before I gathered more raw footage that I had been storing on an external hard drive. For the past several years as I wrote Consanguinity Disruptus, I documented aspects of the Limit Experience I was undergoing and that will be included in the narrative.   I labeled each little snippet of video with details that might be pertinent when I try it out on the timeline as part of … Continue reading Cinema-scaping: aural and visual interplay with Limits